BBC最新纪录片，讲述地球的力量如何改变了人类的历史。2010年1月19日首播，共播出了5集：'Water'，'Deep Earth', 'Wind', 'Fire'，'Human Planet'。节目中，Iain Stewart教授带领观众探究几个世纪以来，地质学、地理学和气候是如何影响人类生活的。
我们的星球拥有惊人的力量，但却很少在教科书中被提起。这个系列节目第一次通过电视展现地球的神奇力量对人类发展的影响。节目将历史故事的讲述和炫目的摄影镜头紧密结合，给我们呈现一幅原汁原味的人类历史图景。
Iain Stewart tells the epic story of how the planet has shaped our history. With
spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces.
Episode 1: Water
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. This time he explores our complex relationship with water. Visiting spectacular locations in Iceland, the Middle East and India, Iain shows how control over water has been central to human existence. He takes a precarious flight in a motorised paraglider to experience the cycle of freshwater that we depend on, discovers how villagers in the foothills of the Himalayas have built a living bridge to cope with the monsoon, and visits Egypt to reveal the secret of the pharaohs' success. Throughout history, success has depended on our ability to adapt to and control constantly shifting sources of water.
Episode 2: Deep Earth
Iain Stewart tells the epic story of how the planet has shaped our history. With spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces. In this first episode, Iain explores the relationship between the deep Earth and the development of human civilisation. He visits an extraordinary crystal cave in Mexico, drops down a hole in the Iranian desert and crawls through seven-thousand-year-old tunnels in Israel. His exploration reveals that throughout history, our ancestors were strangely drawn to fault lines, areas which connect the surface with the deep interior of the planet. These fault lines gave access to important resources, but also brought with them great danger.
Episode 3: Wind
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain sets sail on one of the fastest racing boats ever built to explore the story of our turbulent relationship with the wind. Travelling to iconic locations including the Sahara desert, the coast of West Africa and the South Pacific, Iain discovers how people have exploited the power of the wind for thousands of years. The wind is a force which at first sight appears chaotic. But the patterns that lie within the atmosphere have shaped the destiny of continents, and lie at the heart of some of the greatest turning points in human history.
Episode 4: Fire
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain explores man's relationship with fire. He begins by embarking on an extraordinary encounter with this terrifying force of nature - a walk right through the heart of a raging fire. Fire has long been our main source of energy and Iain shows how this meant that the planet played a crucial role in Britain's industrial revolution, whilst holding China's development back. Along the way he dives in a mysterious lake in Oregon, climbs a glacier of salt, crawls through an extraordinary cave in Iran and takes a therapeutic bath in crude oil.
Episode 5: Human Planet
Series in which Professor Iain Stewart looks at how four geological forces have shaped human history. He explores the most recently established force, humans. It's easy to think of the human impact on the planet as a negative one, but as Iain discovers, this isn't always the case. It is clear that humans have unprecedented control over many of the planet's geological cycles; the question is, how will the human race use this power?
电影的惊悚来自于人性的阴暗面，还有权利集团对人们带来的恐惧和伤害。影片把想传达的内核都表达清楚了，但是推动剧情的情感链接显得有些薄弱。自由的代价太大，不幸的根源已找到，到解决不了，这也是很压抑的地方。
连个鬼都没有 还用女人裸体 虐待女人博噱头
似乎法国电影都这样，感觉有很多内容，但是脑子里又感觉不出来该说些什么，女演员真的是自然衰老型，那么多年好像没做过医美，真好。片子里既有女人为自由而抗争，又影射了妥协的女人在那个时代，看上去正常，其实也是疯子，就好像疯人院的女护士一样，看管着精神病，其实自己也是。最经典的是那个舞会，那晚上根本分不出来谁是疯子谁是正常人，把人变疯的就是心里失去了约束的恶。
舞会上谁是疯子谁是正常人？太过压抑的细节，畏惧未知而企图抹杀，假装看不见便可以无事发生。院里的女人们即使有些许不正常也是可爱的，而男性却是以统治者的形象否决一切。愿每个人都是自由的也是强大的。
尤金妮和医生的第一次争论已经非常精彩了，画面总让人想到惠斯勒的画。
瘋不瘋就所謂醫師的個人意願確定？整片感覺這不是醫院更像是集中營，灰暗沉重。
与《寻梦环游记》异曲同工的出发，试着在冬日用更明亮的色彩与热情洋溢的文化注入一抹暖色；Stephanie Beatriz真的好适合做各种配音，能被委以重任太幸福。只可惜流于表面的文化符号使用以及平淡无奇的叙事进程可惜了这个尚佳的主西语裔阵容以及足够有趣的歌曲，这么看《寻龙传说》还做得更好些。
结尾太老套，整体基调还不错。《圣母》更胜一筹
不愧是coco原班人马回归的。说实话在看到预告片的时候我一点也不感兴趣也不期待觉得剧情一定很无聊都能想象到的那个套路剧情，但是看下来跟着哭了好几次，太感人了。看到女主因为大家都有天赋自己没有跟着哭，看到姐姐担心自己有一天没有能力不被大家青睐了哭，看到村民们帮着一起修房子也跟着哭。迪斯尼不愧是迪斯尼，永远能感动到我。更重要的我觉得我明白了电影里没说的你被爱不是因为有天赋或能力强，你被爱是因为你是家人。家人就是无论你优秀或者平庸都会拥抱你爱护你的人。（虽然成年后的我明白这样的家人只会出现在迪斯尼，但是不妨碍我以后会对我的孩子这样教育，无论他们又不优秀我都一样爱他们）
镜头语言沉静优美，摄影高级有艺术感，但故事太过细腻以至于墨迹
掀开黑暗章节的沉重一页，被压迫、伤害、监视与利用；“疯女人”不是结束，是“塞勒姆”之后的上演，更或许为“得州心跳”的前续，所以这是个跨越数个世代并始终回荡着声量的故事。Mélanie Laurent在改编时做到了这一点，也始终去聚焦作品的特殊性。印象深刻的还包括病院以及监禁的生活片段中，丝毫不讳于对“抓狂”的尺度呈现，以及观感上的挑战；但这之外，它同样去关注难得的女性情谊与绝境下的相守。力量与温柔并存，有着难得的气质。
女性题材的电影，对精神病人的压迫让我想到了《黄色墙纸》，很压抑
比想象的好很多，尤其开篇很多画面蛮美的。后面就比较草率，转折太快，人物也没怎么深挖。
看見瑪利亞和看見鬼魂有什麼區別？傅柯《瘋癲與文明》的具象化。
娓娓道来的一个充满绝望又不失希望的故事，女主和女二的感情非常真挚而动人
观感是好的，看到许多人说节奏慢，但我个人还蛮喜欢这种循序渐进的节奏，每个电影都有自己的呼吸和脉搏，整部电影给我的感觉就是一首古典乐。美中不足的是女主通灵的设定过于超脱荒诞，和严肃的大背景产生了脱离。
当整个世界都在窒息，活在疯人院里，估计还能喘口气。灵媒能力在这个故事里感觉是被废掉的设定，虽然看起来是把女主落入悲惨境遇的原因，但是换一个科学点的原因也是可以的，毕竟那个时代的疯人院就是处理不符合社会标准的人的存在，在那个时代，能听见死人说话与不想结婚，其实根本上没啥区别。也可能故事想讲的正是因为女主有超出现实的能力，她才能逃出生天，有个童话的结尾？
演的什么玩意儿 疯女人 主角是正常的 其他病友也没有去刻画 连应该作为大反派的医生也没有去刻画 看完就感觉故事什么也没说 一句话概括剧情 一个通灵女被兄父送进疯人院 在把能力展现给护士长后 成功脱逃
情感细腻，画面摄影很美。可能是这几年女权电影太多了，纵然有太多压抑情绪却觉得我已看过无数这种压抑。
主意被繁复的细节给掩盖了导致略有点跑题 本讲的是父权社会对于女性的训诫，不愿服从的女人被污名化为疯女人，进而沦落为男人的妓女。如果这样只能说是一部纪录片而不是剧情片，主题还要好好提炼才行
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