Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
囚禁之美女与野兽，一神教与金钱。老太婆的裹脚布，这导演的投射太极端
三星半，喜剧本身题材和设定都不错，但是不知所云，感觉没有剧本就拍了，这片子最有趣的是演员不知道在演什么的状态和片中角色的状态完美契合
2020s疫情下的Day for Night（（观感更像是一部投放在b站的民间集哏狂欢作，up主那栏是一溜的合作方
太难看了，疫情期间封闭在剧组拍戏这个设定可以拍很多东西的！但这就是一个无剧情的烂梗吐槽集锦，两个小时内睡着两次，难看程度可见一斑。
或许这就是流媒体的优势。
哈哈哈哈荒诞艺术。该死的virus到底啥时候是个头呀！！！！
疫情之下，一切都荒诞而又真实，都合理而又搞笑，《别抬头》的荒唐+《侏罗纪世界》的花絮。另：bgm不错
每一部恐怖片都在强化杀人一定要补刀的意识。
真的好平庸，也不好笑，但是好多明星客串。Ps：抖音网红女演员是导演女儿，和演euphoria lexi的Maude Apatow是姐妹关系，她当时出场的时候我就觉得她俩长得真像。
这剧情也是俗套到掉渣了，还假模假式的营造悬念
每一秒都想笑，但是你每一秒都笑不出来，究极便秘，但是究极好看。
成本确实够小，剧情足够紧凑，但也没有什么新意，凑合看吧
对影视行业的讽刺和资本嗜血的本质展现很喜欢 里面资本家们都在世外桃源阳光明媚 劳工们昏暗压抑苦逼兮兮的拍摄 很鲜明的对比。还有解构了父亲要在儿子面前树立电影的价值，儿子说 有抖音就行 不需要电影 哈哈哈哈😂
这张电影就是疫情本身：pointless, boring as f#ck, and not funny at all.
要是放到现实中，女的早gg了。
渣男损友上门来，锁门破障全靠她。
比蜘蛛侠好看那么一点儿吧，开头的剧情还有点儿大片感，公路后就看得想睡了，有钱是真的，爱过也是真的。
好多大腕客串啊！再次印证这个电影就是瞎jb拍，不过无所谓啦。不过都cue到提莫西奥利芬特了，就请他出场啊！！！！求求了！！！难道是没请到吗！！说明奥利芬特是一个正经演员...（何
打得超爽。
烂片中拍烂片，实际上也是烂片，荒诞但又能理解的傻X剧情，疫情下的演员在剧组“保护”下拍电影的闹剧。这新冠什么时候才能结束呢？很悲哀但又无解的问题。玩梗和各种咖客串挺多的，但没戳中我的笑点。唯有Run让我的“搁这搁这”之心燃了一下。
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