Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
虽说是网剧不应要求过高，但第一季好歹是个穿越，用点现代梗和网络术语也无可厚非尚可接受，但影版的互联网和咸鱼什么的就过于突兀。剧情也是老的不能再老的套路，甚至全局都没有一个兴奋点，平淡，冗长，赘婿成赘絮，实在没什么意思。
活得久你就可以看到劣币驱逐良币，魔鬼驱逐上帝。
话说男女主这么可以这么甜，是因为七夕到了要虐狗吗？感觉男主每次看女主眼睛里都有粉红色的泡泡。
3.5。玩的老梗有些多，有些走捷径卖情怀了，但是这条故事线蛮有意思的，人均赘婿哈哈哈。故事轻松有趣，爆米花，减压。压力大放松的时候可以看一看。整部影片让我很舒服，加半星。
我看到的是俗套言情；zjh看到的是有逻辑的男频爽文
牧师的牺牲也没得到上帝的加持，驱魔手段还是靠吼，魔鬼和上帝的附体都认为对方该被驱逐，搞笑。
吉吉国王变主角 二房代管布行单线发展 片头还有点心疼吉祥物 没想到画风突变转向喜剧哈哈哈哈哈心疼被爹爹和祖父抛弃的吉吉国王 二房扬眉吐气啦
@2022.02.12 还蛮可爱的，梗的密度和小品差不多了...
靠着吉吉国王的演技和赘婿IP撑起的一部番外剧，哈哈哈，看的好开心，腾讯当年选择了肖战的斗罗大陆，而抛弃了不看好的赘婿，肖战身为男主角演技竟然如此尴尬，全程跟个傻子一样啊！啊！啊！的叫，不论演什么情节永远都是在瞪眼睛，尴尬演技+5毛钱特效简直看的我想吐，而赘婿却看的我好开心，不论郭麒麟、铁娘子、还是吉吉国王父子这种小配角，全程演技在线，真是难得，如今这个信息化爆炸的年代，不管你是主角还是小配角，只要是金子总会让人看到的，而靠一张帅气的脸蛋来浑水摸鱼就一定会挨骂，没有对比就没有伤害。演员是演员，明星是明星，完全两码事。
为情怀加一颗星。女主挺好看，苏文兴在这里看着也蛮顺眼的。音乐一起就想起檀儿了呜呜呜希望第二季快点出！！！
在一众垃圾小成本网作剧里 这部算是很好的了 虽然作为番外不可避免的承袭了赘婿的热度梗和剧情 但本来这就是番外 很正常
看了一会看不下去，太假，太无聊，还一直黑黑的就是不给你开灯，烂片的套路，已弃。
看了《赘婿》，来看这个更有喜感
还不错吧，延续了剧版风格和人物性格，二房笑点还挺多的，期待第二季故事吧。
第一次见“反向驱”，设定很有创意。
剧情还挺有意思 可以时不时哈哈哈 这个时候不去线下也罢
文兴哥也算是熬出头了，成了高家赘婿，还应了手剧名，挺好。片尾还为第二季造势留了悬念
本来就是蹭热度的一场戏，唱的戏又是恰巧火起来的，这回连郭麒麟都没出面，脱配角又来割一茬韭菜，老郭家这事儿办的也没谁了
吉吉国王作为网剧第一部的搞笑担当，搞笑功底还是蛮扎实的，笑点很多，很适合带着女朋友一起放松。
墨西哥人对于宗教类的恐怖片还挺有一套的，惊喜程度不亚于以前的《别西卜》，在惊悚氛围超过了同期的《恐怖地窖》 。影片是一次很大胆的尝新，第一次见到有人这样设计魔鬼的造型以及最后的反向驱魔，对比同类型电影手松一点的话，给个3.5星也是可以的
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