With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
蛋头博士真的是时代的巅峰，都已经在想着统治多元宇宙了。
拆成2部，一部儿童电影，一部成人电影，也许就能看了。
印度舞和婚礼复仇最好笑，可惜最终的大机器人好憨啊，直接垮掉。
还可以，编剧不错，但是剧情有点赶，而且中间不太连贯
诟病的地方较少，还不错。
就像首部曲一样，结尾cast背景动画是最最情怀的部分。这只蓝色小刺猬真是世嘉游戏永恒的经典之一。最后超一索尼克大战反浩克战甲的蛋头博士，已经分不清谁致敬谁了。金·凯瑞的表演依旧卖力、夸张，他演的大反派同样充满个人风格。只是听说私下里，这位喜剧之王也有抑郁倾向。所以看着他的戏也很心疼。
索尼克2出来，1说什么故事已经忘掉了。这些游戏IP改编电影的结果都跑不脱合家欢，大概因为游戏IP的定位比较低龄吧。
三只，红黄蓝三原色代表力量智慧速度。
剧情还是一样的无聊，更多的是情怀吧。地图场景挺多的，街道、雪山、神庙，最后还有BOSS战。冬兵梗，复联团战造型，BOSS像反浩克装甲，超级索尼克像惊奇队长（漫威黑人问号脸）。彩蛋夏特，看前两部的水平，并不是很期待。
看得出来这部跟游戏本作有了关联，虽然有些桥段没有添加的必要。（感觉婚礼就是硬凑够2个小时...）上部说纳克鲁斯要来还真的来了哈哈哈。要是为了填充第三部剧情的话，会不会有金属索尼克呢...毒奶一下，中了的话就可以摆脱毒奶诅咒了哈哈哈。
有一说一，经典IP关联的网大能拍成这样可以了，至少不是粗制滥造，女主演的紫霞没什么问题，很符合也很漂亮（朱茵依旧是永远的紫霞），然后再看一眼达叔。
最近看blockbuster看少了看这部觉得很尬 但也想通过这部讨论一下白男演员的生存空间 james marsden之前是和alexander scarsgard演稻草狗的 现在只能在这种和跳跳兔里打打酱油 感慨一下白男没啥特色演员花期太短了 照样无聊 原声甚至没第一部好 睡得很香/AMC Newport center
剧组很穷，演员形象确实有点不太符合，特效也很差，不过整体来说剧情完成度还算挺高，预算再多点应该能拍得更好点。尤其还有达叔。
开来是要把这个电影拍成宇宙系列，第三部最强宿命之敌-暗影，就要强势登场了！
从来没有看过网大的我，竟然津津有味地看完了全片，还要特地过来点个赞。不说情怀，不说背景，不说达叔，也不说预算。电影在相当有限的时间内讲了一个非常合理又富有感染力的故事。也许特效很糟糕，也许表演不完美，也许时间有些短，也许主角不出名，但是从整个团队中我看到了专业与良心。很好，请大家支持，女主角很可爱。另外，我只是一个自来水。
一旦习惯了忽视爆米花电影的槽点，每一分钟都可以是纯粹的享受。
有笑到我，也感动到了。一生所爱，情怀满满。有遗憾，残缺的美。达叔不在了，星爷和朱茵也不可能再合作。时间不会停下，经典永远都在。这部可以，团队算是用心致敬经典补充残缺美继续留残缺的吧，有空再看看星爷朱茵版
你要是索尼克说自己和蝙蝠侠一样都没爹妈倒是会更有趣点
咬牙啃生肉，心疼金凯瑞，看他单臂大回环弹奏胆经不禁想到《变相怪杰》，掐指一算也六十好几了，出演新作品的机会恐怕屈指可数，如果可以的话来个真人版《卑鄙的我》再收官吧...
还有金凯瑞奇怪的搞笑段落
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