女生被男医生体检故事

女生被男医生体检故事 高清

评分：
9.0 推荐

分类： 剧情片 2000

导演： 尹大龙

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剧情介绍

　　Synopsis
　　"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
　　Notes
　　"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
　　A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
　　Afterword:
　　- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.

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评论:

  • 心诗 7小时前 :

    话太多了…出字幕再看一遍。比《撞车》更激进一点 讨论了更多一点

  • 五书桃 8小时前 :

    在一位艺术家眼中

  • 彦月 5小时前 :

    真诚发问：这么划来划去、割来割去的，伤口不会感染吗？

  • 华远 1小时前 :

    “Surgery is the new sex.”

  • 坤星 4小时前 :

    假如每年都能长出一个新的肾的话，那每年都能用上苹果最新款啦🐶

  • 己书文 2小时前 :

    越来越觉得给电影打星没用，同意很多打低分的朋友说的缺点，但就是喜欢啊！！

  • 光玉树 2小时前 :

    这片子评分再低在我眼里也是NB的，这片子取名成《感官游戏2.0》更好。

  • 彩雪 1小时前 :

    服了。完全是对艺术行业的满满讽刺，对当代艺术家的慢慢讽刺

  • 卫丽莎 5小时前 :

    看不懂的、名导导的、名演员演的，一律算好片。

  • 夏秀媚 0小时前 :

    k的表演真是令人惊叹，怎么还能从戴妃回退到私人采购了呢。那特殊的腔调是专门为了文艺片调整的文艺腔吗？霹雳娇娃那里面反而还正常了呢。

  • 戈孟君 8小时前 :

    #Cannes2022 我尊重每个人的醒脾，但柯南伯格我不理解你

  • 习信鸥 5小时前 :

    不论观众怎么想，柯南伯格真诚地在用身体恐怖呈现自己定义的美感，这一点与那些顶着身体恐怖名号的人截然不同的。

  • 元如风 8小时前 :

    建议和钛一起食用更佳。卖个创意，支撑不起来一个半小时。

  • 万秀华 0小时前 :

    9/10。不出所料，年度十佳。实质上的第一部柯能堡。

  • 克莉 7小时前 :

    大闷片，文戏冗长，讨论议题谜之过时，怎么看都觉得应该是导演20年前的作品。《裸体午餐》里的奇异器官，《欲望号快车》的性爱观念，《感官游戏》的骨头工艺，放在2022年就觉得有点吃老本了。

  • 娅采 7小时前 :

    比预期要好很多，身体恐怖和循环嵌套的虚实结合，确实有卖弄结构和符号之嫌，但是有启发

  • 介凝丹 8小时前 :

    现代感官刺激将过剩，未来人类开始寻求内在器官新刺激了？！

  • 双文丽 8小时前 :

    话太多了…出字幕再看一遍。比《撞车》更激进一点 讨论了更多一点

  • 振澄 0小时前 :

    柯南伯格的人体切割恶趣味，和传统的柯氏音乐，可故事力度已不如以往。有些导演可以称之为老而弥坚，但显然柯南伯格可算不上，只有自己的恶趣味。当然，点滴处，柯南伯格的审美，服饰设计还是在线的。

  • 卫铮铮 5小时前 :

    整部电影唯一让我沉迷的只有蕾老师的美好肉体，it's confirmed that I'm old sex.（㊗️蕾老师生日快乐～）

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