With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
可能是看的时候吃了热狗变得很饱，看到后半部分睡着了一小会儿……
中国功夫+十二生肖+唐人街+小黄人＝无法击败的神秘力量
影院里好多小朋友，热热闹闹的特别欢乐。结尾的时候，小朋友们集体鼓掌。小黄人还是那么萌。
自带BGM的小黄人太好玩了 中文主题曲也很魔性
這部太低齡了，看的VOSTF 全場都是成年人，根本沒人笑啊。 中國元素挺讓人欣喜的，但是添加得沒有深度也就沒有了韻味;主線任務完全是硬扯出來的感覺，老大摔下飛機為什麼沒死又是怎麼去的洛杉磯可以再拍一部個人片出來的情節就這樣被跳過了;小黃人的壞完全只體現在了幾個快速剪輯的小片段裡了，其他時間全都在找Gru ，形象有些單薄。 感覺這部應該原定上映時間是春節吧，但是懂的都懂，只能放在現在上有些夏吃蘿蔔的意味，不是很合口味了。
太棒了，可爱到爆又笑死人，还有今年好莱坞亚裔元素含量好高
I'm just too old to watch this...
还是上一部一样的胡闹段子，但是比起段子串烧，至少有个底色故事，唐人街那里的细节描写挺不错的
狗狗眼卖萌直接给我送走了😭😭😭😭
可爱！Chrissie 说她不喜欢中国元素搞得那么刻意，可是在中国明明没过审🤣
全场的笑声和各种观众呼声整齐的像在录情景喜剧 这就是英国的观影氛围么！
2.5 熊孩闯三藩，中华有神功。都在预告里了~
好无聊。唯一的亮点就是十二生肖吧，那个鸡的俯身最搞笑，还生了个小鸡
我看小黄人卖萌撒泼：I can do this all day
全場爆笑，坐在前面的老伯尤其笑的歡，哈哈哈哈
6-6.5｜剧本不行….一人不行要有伙伴这个正派人物弧是成立的，但是反派是个团诶，而且大战也没见靠合作啊，不过是小黄人狮吼功，正反派对立完全就不成立，如果把老头和恶人团位置倒换倒也还说得过去，但这样正派太强编不出故事，最好的应该是反派就做一个单团体单飞的恶人，这样才能对起来。但何必这么讲究呢？完全就是为了小黄人去的，cuteness overdose….太可爱了太治愈了，还有好多reference甚至有我碟中谍诶！我看得开心死了！喜欢！（国内不上挺可惜的….
和女友首次的映画館デート选了两个人都喜欢且愿意在影院看的片 祇園祭喧闹后的疲惫在坐到椅子上时差点睡着 但一下就被开场的中国元素给笑醒 然后顺利看完 感想就是作为前传故事完整 看到梗和元素出现那么多有点开心但又觉得可惜 固有印象太深了 不管看几次 还是觉得小黄人就是最可爱的！可爱=正义 最后！我真的好想去隔壁USJ啊！！！
平静写“容止雅量”可能更好?
小黄人的设定就是他们干什么都可以被原谅就很好笑，主角大叔想当恶人但又搞主流价值观就很拧巴
如果是因為飛機不過審的話，這次我撐總局，猴戲都比這好看⋯
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