Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
挺好笑的，就是道具和服装上感觉经费有限，导演节奏把控得不错，多少分钟到什么戏稳稳的，结尾有点仓促让人意犹未尽。苏文兴给高甜银票让高甜保密那一段，两位主演都不错，张力十足，非常戳到我，是我心里的高光片段了
牧师的牺牲也没得到上帝的加持，驱魔手段还是靠吼，魔鬼和上帝的附体都认为对方该被驱逐，搞笑。
很多笑点都很有梗，不知道是个什么宝藏编剧，感觉剧情编的也很合理，看得时候没发现啥逻辑漏洞。
吉吉国王和高田在成就对方的同时，找到自身的价值所在，也收获了真挚感情的故事，好感动。
男主和女主应该是古代的自由恋爱吧，感觉真的很有CP感，而且女主的人设好讨喜呀，每次看她和男主在一起我都会姨母笑。
看完电视剧追过来的，作为一部承上启下的外传还是合格的，剧情在线，笑点满满。没想到吉吉国王的线还真展开了，谁不喜欢吉吉国王呢！看完开始期待第二部了！
还不错，标准的商业片格式，演技都过关，看着还是很欢乐的
作为爽剧还是很优秀的哈哈哈，对文兴哥黑转粉了哈哈
吉吉国王醉酒抢婚还是很憨很好笑的 所以隐藏彩蛋是老耿吗
无聊的时候看的，轻松点，没什么压力。回忆起了年初追赘婿的时候，也是开心的时光，这种剧也不需要啥脑子，有些亮点还是让人会心一笑的
吉吉国王，就知道是你！终于在这番外篇电影里洗白了原剧人设。
牧师和魔鬼正面对吼 互相给对方驱魔
蓝神仙好帅～但是感觉他是不是跟义铭有点什么
最终男主为了孩子们还是与魔鬼做了交易，出卖灵魂
吉吉国王，就知道是你！终于在这番外篇电影里洗白了原剧人设。
这种题材 还是不适合拍成电影；吉吉国王也不适合当主角
吉吉国王做主角，哈哈哈哈就可以了(≧∇≦)
搞笑🤪，各种现代梗都在里面，哈哈哈，剧荒可以看看
为情怀加一颗星。女主挺好看，苏文兴在这里看着也蛮顺眼的。音乐一起就想起檀儿了呜呜呜希望第二季快点出！！！
还是电视好看，梗都是来自电视剧。我只注意到女主……
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