Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
最后还留了个彩蛋要拍3
剧情依旧是偏低幼，整体比较弱智无趣，看的出来想把观众逗笑的地方不少，也用了很多梗，比如说光头强和光头范的恩怨，还有最后还Q了一下男主之前的角色镭射眼，但是都是无济于补的。金凯瑞的反派蛋头博士依旧是最大看点，但是整体这个角色发挥的空间不大，表现也一般般。倒是索尼克的两个新伙伴塑造的还算可以。整体来说，个人觉得不如第一部，看这样还会有第三部，希望剧情上能在上点心吧。唯一的遗憾就是派拉蒙放弃了在内地院线的上映，在影院看可能在视效上能增色不少，可惜了，2.5星。
工业水准没问题 镜头内容太差
什么虹猫蓝兔大战，阿不对是赛亚人大虐反浩克装甲
就还行吧，给小盆友的低幼向超英，Elba大叔配音反派红色那只，金凯利继续演上一部的博士，据说他也快要退休了……
网大佳作
个人觉得作为一部网大，真的很不错了，男主的话他又不是啥古偶美男子，演齐天大圣还是挺可的，最主要演技是真的很好。女主辨识度高，演技吧胜在自然，不算尬。。。剧情不乱很好看，大话西游系列终于出了一部可以看的续集了（其实虽叫续集实则是前传）
多了新角色导致叙事更拖沓了，而片尾的彩蛋暗示还有第三部，这真的拍得下去吗……
第一部就觉得tom对sonic是亲情，第二部果然sonic叫爸爸了，超级有爱！第二部明明比第一部剧情丰满很多，评分反倒低了，还是很期待第三部！Rachel其实比eggman好笑哎，就连呆头警察wade和忠仆stone都很有梗，西伯利亚酒馆里斗舞还嘴了某肌肉男，金凯瑞这个反派太脸谱化了看多了不太喜欢……
低成本用心来做电影值得鼓励，男主演技也突出，故事讲的也很完整动人，不过有些地方剪辑很突兀不知道为什么
很多线索设置是能圆得起整个大话西游的故事，女主选角也对得起观众时间。
今天无意翻到这部片子，以为就是很差的网络大电影。但没想到挺意外的，剧情人物都很精彩。虽然知道是老版大话西游的基础在创造，但我一点也没有拿来对比。故事独立完整性，人物串联也可以，主演的演技在线。
后面女主含泪微笑的那个镜头get到一点演技（感觉再磨磨演技以后发展会更好啊！毕竟长得真的挺好看的）。
低成本用心来做电影值得鼓励，男主演技也突出，故事讲的也很完整动人，不过有些地方剪辑很突兀不知道为什么
远远不能和经典相提并论，也就老戏骨勉强撑个门面。
优点:
剪辑和特效有几个段落比较粗糙，情节也缺乏新意。但也仍然讲述了一个幽默风趣的冒险故事，尤其是两个高人气角色塔尔斯和纳克鲁斯的加盟，让这一部有了更多看点。
挺好，编剧和导演再磨练磨练，加油！！！女主有灵气，别整容哈，棒
还行，轻松快乐的爆米花，只奇怪感谢地方特效有点垮，好莱坞集体摆烂吗
看了几个月了，想起来补标。惊讶于国内居然还没有上映(但转头一想好像又没有什么好期待上映的)。
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