The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
女主不能打个911吗？
索德伯格玩票性质的伪疫情题材电影，最后玩成小鬼当家了。佐伊的肢体语言好可爱，更期待她的猫女了！
帮助者Darius
就不能手动开个灯？杀手就这？
整场的拖沓被装修工具干净利落的5分钟搞定。
有警察不找，有警察局不去，非要往人少的地方跑，脑瘫片
尹启相对于多种身份角色快速切换的掌控力还是弱了点儿，这种题材的角色其实非常适合河正宇。
后半部分爽的太不真实了，但我喜欢，还喜欢那个键盘
虽然说这个剧情细想起来比较儿戏，但是镜头语言，氛围营造，音乐都特别舒适顺滑。女主是真适合演猫女。
后半程情节十分紧凑 逻辑交代上差了点 但看克罗维兹完成反杀很带感
不同配乐能左右同一个场景下想要传达的信息和感情 这部电影的有趣跟配乐也有很大关系 比如追逐战的bgm没有无比俗套地紧张激烈 倒是有一种爱丽丝梦游仙境的奇幻感觉
反杀
给一个大公司或是组织卖命是个危险的事，一旦你干了不利于组织利益的事，就有可能被除掉了
such a mediocre film, what should I suppose to say, should I praise the feminism, or congratulate to the depression, social phobia patients, it's just a normal criminal film, don't tell me some classic scenes which didn't help anything
没想到是个纯粹的happy ending，人物有些单薄，后半段赶火车。
人工智能普及的时代，新冠病毒隔离时代，这电影把握了最新的元素。
女主工作量过于随意哈，竟然没“指标”😄虽然心理障碍出不了门也一定要坚持锻炼，这样坏人来家了也有行动力反击👍结尾女主的发色好好看，酷粉🎀
救女主的凯文比她黑男友好一些，为什么不选他呢，唉，难琢磨。
索德伯格这拍片速度，这质量。让我很难不喜欢
“短小精悍”“节奏紧凑”“高潮迭起”
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