大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
毕竟看招牌，几乎不相信温子仁拍出一个这么愣的故事。
哈雷彗星比原版还要再上一个台阶
对好几首歌大为改观
对了，这部电影里设计恐怖向的剧情里，镜头呀打光呀音乐什么的都有种复古和致敬的感觉，还挺有意思的。
无聊，拟人化演唱会，分不清到底是人在唱还是人在做作。
低开高走但结尾又拉低评价，精华是揭底后的血腥砍杀，视觉和心理上的恐怖都到位，底子还是有温氏因果报应元素在里面的，把畸形共生这一点夸张放大，算是精神分裂类型恐怖电影里的另辟蹊径，但是电磁感应、力大无穷、格斗点加满、用爱打败boss这些俗套的点实在是减分，本可以编得更巧妙一点。
"I love you 3000"
温子仁都打出品牌了吧 但是这部真的弱了很多
好听，有点想流泪... 她的歌总能从各个方位击中我
对了，这部电影里设计恐怖向的剧情里，镜头呀打光呀音乐什么的都有种复古和致敬的感觉，还挺有意思的。
Therefore i am的交响乐绝对是把演出拔高一层的存在，同名的演绎也非常棒。恭喜碧梨小姐，担得起超声代女王的称号。
和交响乐团合作的therefore i am封神了
回想剧情就能想到旺达拧断X教授脖子吓我一跳
3.5 温导的【新概念恐怖片】确实有可圈可点之处，但bug实在有点多，收尾多少有些潦草，血浆倒是没少飞！
1.另一个宇宙的复仇者光照会，和黑化版旺达交手不超过十分钟团灭，就这？
虽然并不是纯粹的温子仁式恐怖片，但还是极具温子仁的个人风格，初看有死寂、招魂、潜伏的恐怖氛围，后面看着看着又有种电锯惊魂+海王的感觉……反倒是结尾还挺温情，看来温导结婚之后心境也跟着发生了巨大的变化。
漫威终于承认了，在绝对法系力量面前，什么科技变异物攻都是渣渣
说实话 完全没想到这张专辑会让我这么爱不释手
刺激！都是“目睹异时空之事”，比soho猛多了
又找到了恋爱的感觉！本以为这张专辑大不如上一张，但后知后觉非常耐听
Copyright © 2015-2023 All Rights Reserved
