You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
既然有基友版《傲慢与偏见》
居然如此纯爱…..而且是大团圆结局…….一下就俗不可耐…….
拍的很平淡。船长的武断实属不应该，代价便是两人孤独艰辛的荒野求生，生命的摇摇欲坠，以及如影随形深不见底的绝望。全程心疼戏份不多的雪橇犬
想要一群这样的姐妹淘 Come on bitches 😄
有一两段cut还挺可爱
从来没想过同性恋电影有黑人，有胖子，有亚裔，却还能这么白开水，太不可思议了。
前半段是两个丹麦人和一群勇敢狗勾荒野求生（x）（养狗的还是别看了，蓝瘦），后半段是两个终极孤独的人在孤独中，等待了八百多天。
或许现世真的没有这样的剧情，但谁不向往美好呢
（乐呵但好吵，脑瓜子疼，还是青春校园纯爱适合我
sweet, cute, noisy，爱情喜剧也可以讲述同志故事。
cliche又怎么样呢，文学nerd不能站起来吗！！！呃，我觉得现在的语境反而扼杀了很多本质主义的东西，或许也是多元化导致的？似乎两者总有一些冲突。不同和相同总是矛盾和统一的综合体……
我居然共情男主了，我的妈呀，lucky me
好看耶，在同志片日渐无聊的情况下，能叙事成这样已经很惊喜了。亚裔被贴的标签fine。就想想一下同志圈吧，想起昨天有人在小蓝上问我找什么？我说没有特意找什么？然后果然后面就想约炮。因为太多人已经不知道怎么去认识人，去相处，去享受生活，只有约炮是能让他们产生实质性下一步动作的需求。所以这部电影看了很感慨，norah不是害怕亲密关系，只是他害怕受伤，不知道怎么面对受伤后的下一步，于是拒绝新的恋情，好多人到后面都是这个状态了，但我觉得享受当下还是最重要吧！！！
我说为什么这么新潮的背景下故事架构有点老派，原来是改编的《傲慢与偏见》，可是主CP的化学反应不是太够，戏份也比较少，豪伊比诺亚的存在感都强，多加一颗星给这份大胆颠覆性旧戏新说的勇气。
根据真实事件改编，上世纪初对格陵兰岛考察中的故事。两名船员在荒无人烟的雪原中独自生存了两年多，那种孤独、那种绝望，确非常人所能忍受，更何况不断有饥饿的侵袭，还有意外时时骚扰。也许是真实事件吧，故事整体上比较平淡，未有更多让人震撼的情节。
让故事戏剧化的同时强化了演员对人物的塑造
请拍一部《我的天才基友》
坚毅的性格，乐观的队友，再加上一点好运，这才是成功的冒险人生。
从叙事上并不“惊心动魄”，而事实让人动容，最后加分满满。
人家明明用了一部电影来说不要既定思维刻板印象，可豆瓣里一堆评论看到片子里的娘gay就说人家强化刻板印象，真不知道到底谁才是意识进步的阻力。。另外再加上前一部片子，真的是lots of sex positivity at 5am in the morning….
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