James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
所有灵，都被恶鬼囚禁在这栋修道院内。
如果不是已经看过类似的空间循环题材可以打4星，这种诡计看第二遍的时候就没有新鲜感了
《鬼门》2022－64
智商不够没看懂，只知道为母报仇没成功，那张母亲撕下来的纸也没起到关键作用啊
和咒怨里的伽椰子类似吧，男主总是优柔寡断急死人
埃菲尔铁塔背后的爱情和故事，埃菲尔与女主陷入爱河，惨遭家人反对酿成悲剧，多年后重逢难掩内心的波澜，失而复得，得而复失，有时候正是因为爱，想对方好，才离开，但是这一切成就唯有爱人在旁才更美好吧，夕阳下爱人在塔上相依偎的景真美～伟大的建筑背后是多么不容易～
只是元素过多，导演有点把控不住，观影中开始出现混乱和晦涩。
有点乱 元素太多了 看的时候还是比较难集中
看到那些鬼手其实是带的黑手套，我就笑了...
披着恐怖片外婆的悬疑片，是我喜欢的类型，结局除外．．．．
首先 要能看清画面才能开始讨论好不好看这件事儿 无语
风间就是丑版且没演技的刘佩琦，他和本田翅膀那部演的还不够让人恶心吗。以他这种长相实力除了背靠大事务没其他解释。
《鬼门》2022－64
啊⋯⋯啊⋯⋯从头到尾一直喊。鬼打墙，鬼打鬼，鬼打人……保证你烦闷到不知所以……
不错，以我的智商能看懂，看到中间就猜到男主死了
不符史實，國家大劇院也可以拍一部愛情片的😂
男主书店和人妻不伦相当有实感。3000万真假钞的谜团，3张钞票引发的蝴蝶风暴，一家三口的失踪，绿帽和黑帮。开篇元叙事吉光片羽的玩的挺高级。非常遗憾剧本张力和悬念没能成功搭建起来，越到后面越莫名其妙。垮掉与寡淡感让人略感不满。
人格分裂鬼是什么鬼？鬼也这么内卷吗？片子其实有些想法，但是被时间线的玩法耽误了，容易让观众觉得混乱。恐怖氛围马马虎虎吧，主要是画面太暗，想吓人都没让人看清楚，还怎么害怕呢？有耐心法儿的朋友可以仔细看看，也许能多给些分数。5分
男主但凡有点战斗力，这事没准还能成，难怪他妈开局就让他挂机的，结果还去送人头
越琢磨越有味道的电影 2021/9品川T-Joy
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