London, 20 February 2018: Filming begins this month on the highly-anticipated third series of ITV and Mainstreet Pictures’ compelling crime drama, Unforgotten.Created and written by screenwriter Chris Lang (The Tunnel, A Mother’s Son, Dark Heart), the new six-part series sees the return of BAFTA nominee Nicola Walker (Last Tango In Halifax) and Sanjeev Bhaskar (Goodness Gracious Me) as DCI Cassie Stuart and DI Sunil ‘Sunny’ Khan as they investigate another emotionally-charged cold case.The pair will be joined for the series by acclaimed actors Alex Jennings (Victoria, The Crown) Kevin R McNally (Pirates Of The Caribbean, Designated Survivor), Neil Morrissey (Line Of Duty, The Good Karma Hospital) and James Fleet (Indian Summers, The Vicar Of Dibley) who play a close-knit group of old school friends that have stood by one another through thick and thin.However, when the body of a teenage girl who went missing at the turn of the millenium is found at a building site off the M1 motorway, the four men are placed under the spotlight and their relationships are tested to the limit.Executive Producers and Managing Directors of Mainstreet Pictures Sally Haynes and Laura Mackie said, “We are delighted to once again welcome such a fantastic cast of hugely talented actors to join Nicola and Sanjeev for the third series of Unforgotten. Chris Lang’s complex and intricate scripts get better and better each year, and the new story is no exception. We also delve deeper into Sunny and Cassie’s own personal lives this series, experiencing the effects that the cases have on their own relationships and wellbeing.”Set across the south of England in locations including Norfolk, West Sussex, Bristol, Hampshire and London, the new series will explore how everyday lives can be fractured and destroyed by one event, showing that appearances can often be deceiving.Hailed the “best detective drama of the decade” by the Daily Telegraph and “crime drama of the highest class” by The Guardian, the first two series proved hugely successful with viewers and critics alike, with the last series receiving an average consolidated viewing figure of over 6million with a 21% share.The series has been commissioned by ITV’s Head Of Drama, Polly Hill, with Mainstreet Pictures’ Sally Haynes (Bleak House) and Laura Mackie (State Of Play) as Executive Producers, along with creator Chris Lang. Andy Wilson (Endeavour) returns to direct, whilst Guy de Glanville (Age Before Beauty) is producing the series. The series will be distributed internationally by BBC Worldwide.
结尾解释了前面所有的混沌，意味深长的结尾。里面铿锵有力的插曲仿佛也像是一只有力的大手想要安抚迷茫的少年……
有点想法，这样一个逆反的母亲形象令人信服，对传统道德观的挑逗十分成功。但这情节还是太单薄、太容易预测了。前半小时让人以为女主只是因为愧疚而心神不宁，在捡到娃娃不还后才多了一层悬念，但如果说闪回的情节是清晰展现、价值取向明显的话，那现时的情节则是过于发散的（与莱尔、威尔、卡莉的互动算什么？独处时的受惊与觉察到的异样算什么？不一定都与其心理有关）。如果任何事情都用神经质来解释，那么至少也不够多变化和层次。
两星半。开场状态既是悬念，解决之道在其成因，私人历史和现今所见对比构成所谓心理戏剧性来推进叙事，其中几乎复刻自己的女儿，爱不释手的洋娃娃，梦寐以求的成功事业，心心念念的职责解放，统统都没有逃出属己之物，女性当然可以不做母亲，但也别忘了孩子也天然且永远就并非属己之物，自爱也理所应当地绝不可能成为真正的爱，故事拍出了这种平权时代和亘古情感间撕裂的痛苦张力，科尔曼传神表演的刺点，确实是比新手导演语言上紧巴巴的知面更重要，加一个赞许的一星。
“雨一直下，像我的悲哀” 蛋堡的歌词里面也有这句吗！
流水它带着岁月的故事变成了故事。所有故事都在传诵中被忘记。
寻娃启事勾兑婚育噩梦，“任何想移除疑虑的企图都是霸权的开始”，随性而走留下一条橙皮之蛇；找自己老公演魅力教授，导演 Maggie Gyllenhaal 派家属福利
——在二十出头的年纪里糊里糊涂地组建一个家庭，在年近五十的年纪里莫名其妙地结束一生，不荒诞，很自由。
只找到了高糊版。野蛮生长的少年，混乱地活着，然后混乱地死去，“船过水无痕”。
讲真，看的dvdrip渣画质体验很差。拜一众幕后大佬和伍佰的歌还有大爱高捷，此片遂成经典
所以说，无论如何生活都是惊险的。留下来也好，逃走也好，如果要以一种诗意想象的期待来面对生活，那么溃烂不可避免。要去体验真实，要洞悉人的本性，借由忍耐和克服，建立一种生活信条，才能躲过怀疑和虚无的追击。
常年住在希腊度假留自己孩子在美国的公寓管理员父亲 抛妻弃子私奔的背包客父亲 打个电话就不管孩子的年轻父亲 有钱又有年轻美貌妻子的大家族父亲 翻译学家出轨父亲 只要这些父亲能做到自己该做的那一点点 世界就会好一点点
试图与文学性的联结不够行之有效；
作为导演处女作绝对是好 天才女友这个作者隐约对她的天才女友有点执念吧 这部作品也有她的影子
全程担心女主会被打。女导演的切入真诚又尖锐，将不讨巧的人物设计置于镜头下 - 以the lost daughter讲述出走的母亲。
只存在两个视角，都是在近距离观察，也显得相当亲密和私人，创伤的情绪很难抚平，就像一阵阵眩晕来得猝不及防，也像那些刺痛的回忆一样挥之不去，在情绪和回忆两者如何交织的把握中，相当老道。
第一次觉得 normal people 的男主帅，达科塔也很自然。个人经验来说这种在度假中突然触景伤情的事情时常发生，并且因为是独行更加不容易走出来。但每一幕都在追问让人喘不过气来。结尾也太儿戏了吧
头重脚轻 科尔曼将中年女性面临的焦虑与矛盾演绎的淋漓尽致 达科塔全程陷入五十度灰模式
哪些是真的哪些不是呢？看得我满脑子疑问。做母亲的复杂啊。想起了Alice Munro的某些短篇。
4K修复电影：2022.7.30 板桥威秀影城
有很多隐喻但是不生硬炫技，很回味的电影。快结尾的地方很有意思：莱达看到妮娜与自己相似的纠结和共鸣，终于把惴惴不安的秘密直接告诉了妮娜：自己拿走了娃娃，结果妮娜扎伤莱达，担心违背预期落了地，很无奈也很现实
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