With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
啊，陪女儿看的，老父亲觉得装备有点帅啊…莱德这不竞选市长？？
火烧大蝗虫然后形似陨石坠落，复刻恐龙灭绝那场戏留下深刻印象，其他的就是，soso，和近几十年的冒险片，灾难片一样的常规镜头，开始感到厌烦，人类戏太多了，似乎恐龙已经不是主角，他们只是人类之间互相博弈的一个由头，这个由头是什么都无所谓，反正都是人类在搞事情，人类才是站在食物链顶端的生物。相比电影本身，我更喜欢先导预告片序幕，近四分钟没有人类的近乎纪录片的恐龙世界，那才是真正的侏罗纪世界，我宁愿看俩小时纪录片，内容本身也就两星半吧，配乐和镜头还有点儿复古感，但给三星，以表对恐龙的尊重，结束这一切吧，别再拍了，
画面好精致，战车很帅，特别是那个水炮特效好有感觉
还挺精彩的！！尤其每次出动时，音乐加装备，特别酷！歌曲很好听。
替我女儿打个五星。话说回来针对低龄小朋友的动画片，大人看能不觉得降智，已经很不错了。
莱德多了一根手指，代价是长满了雀斑，鼻子也塌了
真的太可爱啦！新总部和新装备，还有新队员贝贝～比去年的动画电影有诚意多了！去年真的就只是电视加长版而已…今年的特效超级酷！看片尾发现是鸡毛给记者配的音，看来要二刷英文版了！啊没想到我这个超龄宝宝也喜欢汪汪队～
靠卖汪汪队周边大赚一笔的莱德队长买下斯塔克大厦在高谭市大战企鹅人
哈哈哈儿童电影的好莱坞，不错不错，大人也能看看，陪崽子不会太无聊。
意外的蛮好看的，看到了很多好莱坞大片的影子，只看了后半段，作为第1次看汪汪队的人，有被这流畅的剧情和其炫酷的装备给惊到。
还挺好看的……配音可以不要把他们的名字念成译制腔就好了。
第一次带孩子去电影院，还有我侄女，刚开始好像声音太大吓到了。爆米花也不敢吃。饮料也不敢喝。后来慢慢好了，两个小可爱还讨论剧情呢
- 电影终于解答了我一直以来的疑惑，莱德的“钞能力”是哪里来的。他提溜着印有狗狗的T恤说：卖狗狗周边赚的钱。
TA们有钢铁侠的大厦，TA们有蝙蝠侠的车车，狗狗拯救世界耶～
作为动画片很好哇，三观正，音乐好听，画面好看，角色可爱
电影画质比动画片优化不少，不再是那种偏平面化橡皮泥小人，更加立体丰满有质感，从莱德到狗狗们都年轻化处理了。
我给五颗星！我跟女儿一起看完了！贝贝很可爱！但是我永远最喜欢毛毛~\(≧▽≦)/~
替我儿子打个五星，认真的在电影院看完全片，目不转睛，片尾曲也要听完。
不知道是不是编剧想减轻，甚至完全减掉女主在前作里犯下的罪，最终影响生态系统的不是恐龙…于是就引出一个绝对坏的新反派…先导海报的主体是一只吸恐龙血的蚊子，我刚开始的猜想还以为是有害虫通过恐龙变异，恐龙间接影响生态系统…结果新引出的白垩纪蝗灾的线索完全游离于主题之外，等于直接不要前作的铺垫。生存于人类世界的恐龙们几乎没有相互影响，是一个废设定…所以电影最后一组与恐龙共存的镜头来的很莫名其妙，强行扯回主题…
本来想带丫头看，我坐旁边玩手机。没想到，出乎意料地好看。
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