6 out of 7 people found the following comment useful.
A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
white rabbit很燃！第一部都是小学看的了，看男女主时隔多年谈黄昏恋就感觉怪怪的…以及小乔现在都能当这么皮实的反派了！
虽然剧情烂，狗尾续貂，但至少还保留着大片卖相，有明星，有大场面，镜头、特效、服化道也都是大片水准，勉强能看进去。打戏和“子弹时间”明显弱了不少，很多镜头根本没有力量感，基努里维斯可能是老了，也可能是本来就不想拍这部烂片吧，所以出工不出力。主创团队对这种硬拍续集透支IP的行为也是深恶痛绝，台词里都自黑母公司华纳了，不过话又说回来，最后那段机器人版本的“丧尸潮”还是挺有创意的，虽然明显是华纳高层强加的爆米花元素，但爆米花就是好看啊。
不過前提一定要先看過駭客任務，才能明白復活了什麼！
这次似乎过去所有呈现的一切都被镜像了 尼奥成为那个选择相信的人而崔尼蒂则成为那个做出选择的人 电影试图培育的怀疑的种子好像也没能够成功发芽 大概是因为制作本身的目的与之前不同 被拯救的是导演本人//倒是开始相信 电影的成功是玄学意义上的天时地利人和
哪有什么Paint the sky with rainbows,不过是Matrix制造的信息茧房
终于等到了！看的时候好幸福啊，看到基努里维斯出现的时候，脑海中立刻出现了银尼强手，不能说没有区别只能说一模一样，只是满嘴吐槽V始终躁狂不已的银尼到了继续和小田切一样面瘫脸了，可是这样我还是那么喜欢啊！那么多梗把我给乐的，游戏程序员的设定好赞，虽然最后结局感觉比较潦草，但导演自己都已经在开头吐槽过了呢，真的很有趣，我又憋了好久尿，最后只能在高潮打斗的时候去尿了，真的对我来说全程无尿点了。后来看完电影回家路上出租车司机还主动和我聊了会，他说很多年前看的时候看不太懂但就觉得很厉害，我心里暗暗想这就是不明觉厉呀，然后他还问了我最后结局是不是主角杀死了母体。
“华纳说了，有没有我们这些原始团队，都要拍”。
这是什么中年危机电影……就想告诉小哥，大胳膊上纹满了berghain的纹身也不一定能进去哦。
（1.0/10）一星的续集电影，五星的后现代行为艺术，观看过程欢快得飞起。华纳居然会把这片放出来没有大规模重拍也是迷惑。拉娜带着一队主创时时刻刻把“我们不想拍，但是我们做不了主啊”挂在脸上。当初是谁推动着立项来着。这片的鉴赏电影工作者是做不了了，交给文化研究人士吧。
主创应该也是被逼的，编得很尽力了，特效也紧跟时代，你们的努力值得四颗星，但是下次就别拍了吧
就它肯定不是好电影，但它真的也不难看，导演再怎么黑华纳明显对角色还是带着无限的怜爱，这种爱，透过朝阳下Trinity美丽的逆光特写，传递给了我们。
4、陈虎继续客串以及武术指导
好拉啊...怎么能做到20年前拍的好像今天拍的，而今天拍的好像20年前拍的...
这片就是拿钱拍着玩的。前面还好后面无聊，人家本来能打拍成JW4也行啊干嘛非用气 功。配乐和视效不错，我还是回去听原声专11首remix吧
（我以为他们不能这么做。）
这……只能说是粉丝大电影，那我还不如去看Sense8
喜欢Lana姐姐把一部电影当成了她疗伤的游乐场，肆意的嘲笑，讽刺，煽情，毁灭。我喜欢长发Anderson虽然已经是胡子拉碴的老头，剃了头的Neo一觉醒来，还是那个20年前的少年。虽然少了妹妹，少了一点灵气，但不管怎么说，Neo和Trinity复活了，就是最好的不是吗。
最喜欢就是借剧中人物吐槽华纳和讽刺现实那两段，另外，哪怕里面的中世纪叠加宇宙飞船舱内场景，救世主情结宣告创新已死，好莱坞对服道化的一丝不苟以及大场面调度能力还是让人敬佩。
为赋新词强说愁，硬憋出了2个半小时根本讲不通顺的故事，罢了，罢了。
（1.0/10）一星的续集电影，五星的后现代行为艺术，观看过程欢快得飞起。华纳居然会把这片放出来没有大规模重拍也是迷惑。拉娜带着一队主创时时刻刻把“我们不想拍，但是我们做不了主啊”挂在脸上。当初是谁推动着立项来着。这片的鉴赏电影工作者是做不了了，交给文化研究人士吧。
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