A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
明明是男的一开始先骗东骗西 为什么最后还要女主道歉求原谅？？？我不理解
冲着《硅谷》里的Jian Yang来看的，剧情很简单，最后宣布婚礼时矛盾爆发的高潮也只是草草完事
Jimmy yeppeeee motherfucka. Elena 之前在吸血鬼日记我觉得她完美…
这搭配挺有意思 Nina一直很美 男主就看他脱口秀了 演的也不错
久违的温柔romcom。美国主流媒体男主进化史。
Jimmy O Yang太没有男主相了…完全跟大美女Nina不搭…
艰难地看了半小时并不是很看得下去 且把darren barnet拍丑了 我直接放弃
也算是打破亚男不能和白女一起的first step吧，四星鼓励一下
比我想象的好一点吧，我以为jimmy是wingman/闺蜜讲闺蜜情那种……讲道理他俩真的太没有cp感/火花了，这种电影本来就没什么深度，男主还长那样，总要有一点魅力点吧，做蜡烛…？？
Killing time for Christmas Eve 🎄🎄
I don’t but it at all
jesus，欧阳万成很可爱啊，把亚洲人特有的自负内向腼腆演活了！
感觉欧阳演得一般，缺少灵魂。哥哥演得蛮好的。最后男女主不应该大帅哥道个歉？女主最后一点对男主的转向有点生硬。不懂为啥把男主一家设置成中国背景却又完全没突出任何中国文化元素，还以为会有有趣的文化冲突呢，结果啥也没有。感觉这个设定有点浪费。
hmm 没抱什么期待，但中间也有挺感人的moments。男女主长得太像我认识的两个人了… 有点串戏。三星半吧
damn！我居然在最后模仿Love Actually桥段那里牛内了…… 在这之前我都觉得很一般，也不是很喜欢两位主演（主要是一个太夸张一个太呆板，好吧呆板也算符合这个人物吧）。也不能说喜欢，还是节日氛围和“真爱至上”起了大作用。
約會APP被騙反倒找到了真愛，period。
Jimmy O. Yang身價在上漲～～～
实在是过于平庸。我还以为影片最后会有父辈们消失之谜的解释，没想到就只是个摆脱阴影成就自我的鸡汤动画。
这部片针对华人群体，大数据显示nina的吸血鬼日记在华人群体中受众极大。网飞就这么通过大数据确定了女主角？特别强调女主交往过very good in bed的beijinger，这是在对抗什么stereotype大家心知肚明，就是有点太过刻意。整体来说就是部俗到不行的爽文。
还不如欧阳万成自己的stand-up comedy呢。奶飞这提前量也太多了吧，牛姐的歌都还没霸榜呢，怎么现在就开始放holiday season的片子了。
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