With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
“千万不要以为你拥有的一切是理所当然的，否则上帝会夺走你所有的”——一开场就有金句
虽然细节经不起推敲（你让一个主角是盲人还得能打那还能怎么拍呢），但是主题框架不错，拍的也很好，没有延续之前的情节，不然肯定是狗尾续貂，在原基础上添加了新的故事线，依旧含有人伦情节，小女孩的加入给整个故事添加了一抹鲜活度，比上一部充满了希望，上一部看到最后我以为女主会死，这一部看到最后我以为老头会死，总之这又是一部我用手捂着眼睛看完的电影😁
编剧和导演希望塞些人性和宗教的东西在电影里，但他们擅长的只是气氛渲染。
6分，成无脑打片了，表演、色调和场景不错，叙事不行
说实话，最后几分钟的新闻片段比整个片子都好看。
不看橄榄球的人，估计无法相信上次公羊是怎么拿下超级碗。电影拍的一般，背后的故事光听听，就能够燃爆。最热血的故事都不需要拍成电影，用言语传颂吧！
这是为公羊队再夺超级碗提前准备的献礼片吧。虽然说是真实事件改编，后面拍得还是太平了，简直是一顺百顺。从电影里呈现的来看，布伦达上辈子应该是拯救了世界才遇到了男主。不过困难时相濡以沫，换来最终的幸福美满还是挺感人的。原来公羊队上一次夺冠还不在洛杉矶。都没认出来男主竟然是“沙赞”的扮演者，看来对那部电影真是没什么印象了。
欧美这一类型的电影在人物塑造这一块给人感觉都是大块状的，粗线条的。
汪汪队立大功（。快节奏和硬核剧情还是可以顺畅看完的，女儿躲人那段精彩。讲道理教了女儿这么多防身术也还是要教一下打911的，最后都不抢救一下就投奔新世界了也是挺奇怪的脑回路。
盲人军人一个人端掉一个贩卖器官的黑帮 捡到的女孩 期待第三部 老人肌肉线条太好看
PS：竟然把男主洗白了。
看到片名就知道结局已定 失败者触底反击的故事依旧鼓舞 （不太喜欢感情线的处理）
体育运动类电影里最好的爱情片，爱情片里最好的体育运动类电影。
前半段有点不明所以，后半段还行，光影的作用，所谓虎毒不食子，难道女儿的命就没有妻子的命重要？没看懂他的思想，总体不错的商业片
第二部比第一部更暴力血腥！老爷子毕竟是老了，但意气不减当年，伤口上直接灌胶水！老爷子家里总会有你喜欢的东西，第一部钱💰 ，第二部超级无敌可爱小萝莉！5打1？还带一条狗🐶 ，真的狗啊！虽然你是来找你女儿的，但是你稍微要感谢一下老大爷的照顾女儿之恩情吧！再说你抢到女儿，让他跟着你制毒吗？不好吧~_~，你又不是绝命毒师老白。答应我，把小萝莉塔拉送到正规学校🏫 好好读书叭，太难了。小萝莉的假父亲穿插进来真的恶心，要一个小女孩的心脏？？？你怎么不去死！还妈妈👩🏻 ？最终还是大黄爱大爷！铃铛🔔 辩位法，大爷独创。小女孩的演技真的，结尾的哭戏，真的秒杀国内某流浪女星。
父亲为了救妻子可以杀掉自己的女儿，这种人性好扭曲……父亲的爱比不上一个陌生老头的爱
阿凡达大反派这个范儿有点犀利了，我想问问：用的什么牌子发蜡？
个人评价：
美国的变态为什么这么多啊，你们自相残杀去吧，别迈出国门嚯嚯别人。
简直就是杀来杀去的血浆片，毫无逻辑毫无意义的故事。比第一部差很远，屏住呼吸的构思也只有在一开始房间里那段才得到传承，后面就是编剧一通瞎编。
Copyright © 2015-2023 All Rights Reserved
