The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
“—为什么那么多家伙拼了命的救你？—不是那么多，而是只有一个…”
“短小精悍”“节奏紧凑”“高潮迭起”
一个本来可以很精彩的新冠加高科技题材的犯罪悬疑故事，偏要把剧情引向肤浅和狗血，加上蹩脚的各种角色设定，实在佩服主创。ps 摄影比较有心思。
这剧情有点迷啊，独特是有点独特，运镜+配乐倒是把社恐拍得很好哩。
索德伯格新小成本高科技电影 星二代美眉 从日常监控工作发现蛛丝马迹 克服出门恐惧症勇斗犯罪分子✧٩(ˊωˋ*)و✧
就不能手动开个灯？杀手就这？
从女主出门下楼开始的镜头和音效，都很有意思。
女主的人设前后期跳的有点脱。今晚看了两部用钉枪sha人的电影了，感觉这玩意比shouqiang还好用！
疫情时期讨论与一种恐惧症状 新壶旧酒 蓝橙配色好好看
后窗，姐妹情仇，窃听大阴谋，等到天黑。”……其实拍的并不好
85% 1.蓝色、黄色的使用逻辑 （室内和室外反差）2. 追踪人物足迹时、幽灵视点的摄影机拟人化了又一重窥伺的目光，俯仰、倾斜的镜头拉满了压迫感的情绪，给予了电影紧促的呼吸节奏 3.明快的剪辑 4.剧本最大可能做减法与一般类型片背道而驰反而增添了一份优雅的气质 5.女性主义的高光时刻
数字时代的产物，透过窗口看世界，我们无时不在危险中。每个点都精准有效，Damn！（牙疼）
可以说宣传通稿里提希区柯克/后窗属于是碰瓷行为了～虎头蛇尾，努力用镜头搞悬疑，配乐搞文艺。杀手光天化日当着抗议人群的面把女主拉进黑色van，然后又被热心群众拦车把人救下，绝了！
背景蛮结合当下的，还有Zoë Kravitz那个演技来演社恐女孩上街的样子我真的忍不住爆笑
so is it Covid that causes her mental resistance to step out of the house
有点无聊，除了社恐女主说话的语气好像一个社恐朋友lol
别甩给Russia了，都是你们米国人自己干的事
6.1/10 故弄玄虚，含混的语调，希式回魂的风格化并不兼容，窗格偷窥的数字化并不彻底，高潮的肉身反杀尤为泄气
最大感想 完整有趣
看过最短频快的电影，我已在这一个半小时爱上女主
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