Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
这么好一个题材拍的这么平平无奇没有high点，写这么多黑人平权的台词，还不忘来几句辱华笑话，导演真有你的
全程還挺緊張的！原版沒看過，打算看一看對比一下。老黃演技依然爆炸！綁匪的選角讓人很不舒服，很成功。
没有前作有趣，闹腾，就是个闹腾。家族爱的包装也单调极了。
原版的王千源太惊艳，有点偏纪实的风格，翻拍就感觉商业化了好多。
3星，轻松诙谐的故事片，生动流畅， 没有说教，没有大道理，看着很轻松，推荐观看。
细节没有第一部好，故事立意也不行。我高估了小女孩的智商，还以为是故意装的配合。和反派对决，其他人也太弱了吧。。。
制作如此精良，故事狗屁不通，真是可惜了。把编剧拉出去打30大板！
公路旅行讲一堆无关紧要的话题，星期三前面一直都在寻找自己身份认同，性格认同，所以才去塞勒斯·斯特兰奇家里，结果来个反转，Lurch和Pongo早就告诉星期三有危险，告诉了还过去干什么，菲斯特前面快变成章鱼就为了最后打一架，其他三位亚当斯成员也没什么成长，像被捆绑在一起行动，没有角色成长，也就母亲Morticia比较关心女儿，Gomez一直在进行所谓的拯救女儿，Pugsley就是来找伴侣的是吧，奶奶开派对开了这么久有些人物都没变过，这群人玩了多久。
哈哈哈，也还行吧，毕竟姐姐一直这么酷这么聪明。不够朋克是真的，电影。
1812序曲 - 從萬能到麻木
本以为亮点是黄的演技， 结果发现这个亮点也变成了缺点
人生就像一部电影，必须演绎的精彩才不会被淘汰！
励志、莫名正义感？？重点不是你怎么到达终点，只要你到达就好？？奶奶从小教导的是先做人后做事？
资本为了名声对利益的屈从；
其实是比Don’t Look Up更辛辣的资本主义讽刺喜剧，两位女主和一对男主各有特色，姑娘们笨拙的可怜人的可恨之处居然是通过犯法获得自信自由踢走老公获得新生；男生这一对则是Odd Couple 般的半路出家好搭档，结尾邮政局大叔给反优惠券诈骗胖胖读信的时候真的有感动到。
细节没有第一部好，故事立意也不行。我高估了小女孩的智商，还以为是故意装的配合。和反派对决，其他人也太弱了吧。。。
很符合资本价值观！
挺好看！有点完美主义，但小coupon怡情，大coupon坐牢 lol
给小朋友们万圣节看的亚当斯女儿叛逆期的故事~~~
带点爽感，但是说真的，拍喜剧不一定非得要扯屎尿屁啊，既尴尬又不适。
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