Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
这个系列能拍到三集应该还是会有受众欢迎喜爱的，人物性格到后来越来越立体了，编剧水平还可以，通过逃狱和阻止逃狱这个冲突让故事可看，港片情怀的人必看，坐等前传，外传，后转上映。
请尊重逝者廖启智，名字打个方框吧多少，然后请方中信为了蹭律政强人的IP？叫一级指控为了蹭壹号皇庭IP？然后配音找的走心点吧！
我连续看了三部，只有第一部叫逃狱，后面两部叫防逃狱兄弟差不多。
看到了一个女孩小时经历性侵，生下孩子，长大后又嫁给了家暴男，终于鼓起勇气结束这段感情后，貌似又把家暴和脾气暴躁继承过来了，唯一感觉是所有讲述60、70年代的黑人永远都是低下的，貌似他们黑人就不管做什么都是正义
女主很美 但是我不懂为什么打架打着打着就发生关系了，很跳戏
打发时间，看下香港老戏骨的演技还行。2.5⭐
制片国家/地区: 中国香港
中规中矩吧 就像是普通音乐纪录片 片尾比较精彩
居然还有彩蛋，彩蛋告诉我们还有番外，有点意思
（啊啊啊啊啊，看错电影了，标错了。。。。）
谭耀文还是挺有意思的，但少了那谁的老公，搞笑气氛就没那么重了。
不算特别上乘，快两个半小时的时长竟然只说到amazing grace，后半段的剧情少了条理，aretha的心路历程始终没有说明白，简单的几次谈话和一场现场完全不够给整部电影或者aretha的一生画上句号。不过这么看来女人成功路上最大的阻碍就是男人和为了应付男人用来自我麻痹的酒精或者药物，撑过来的如aretha、mariah，没撑过来的有Whitney、judy，总而言之不要栽在男人上
竟然还有宇宙 没看过前两部我以为最后会反转 没想到是轻松的港片
2022.7.13和老公一起看的，挺好看的，吴卓羲演的贺俊好帅啊五官好好看，还有那个刀疤的演员不就是一路向西那个男主吗哈哈哈哈我认得他的五官，怎么肥了这么多啊好油腻了
这第三部假的离谱，电影也不是这样演的，这监狱是玩过家家的吧！
无前两部精彩。外传一定要有滚筒。讲真监狱这么和谐，比不起90年代的监狱风云。
算是比较老套的电影，打戏还是比较精彩。
都是谁给了她心魔，又是谁带她走回光明。#靠近男人会变得不幸#
5星好评，逃狱逃出新角度新视野，值得一看，监狱也越来越和谐了，哈哈哈
福音灵歌布鲁斯爵士黑人音乐大坑坑！OhMyGuy！❤️❤️❤️
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