Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
再也不瞎看了... 有空无聊的时候，还是听听英语得了
时代背景、反方势力、血鬼术、水之呼吸都得到了充分展现。鬼舞辻无惨好帅，祢豆子好可爱。
首先先恭喜工藤先生和新一女士 在25年后终于开始交往了！（而我研究生都快毕业了） 然后就是 忘记去看被血染红的清水寺舞台了5555 明年我一定补上！
工藤新一为了参加高中学校组织的京都修学之旅，央求灰原哀给自己服下了解药。 由于解药的局限性，他不得不在白天新一、晚上柯南的状态下痛苦地变换身份。但在服部平次与京都警察的共同协助下，运用其“最强大脑”，最终侦破了一起电影制作团队成员利用天狗传说制造的杀人案件。笔者认为本片的看点有三处：京都的美景、小兰对新一的告白、仓木麻衣演唱的主题曲《蔷薇色の人生》。另外，配角们的表现也相当精彩，特别是京都才女红叶，笔者本人对其十分欣赏。难怪评分如此之高！
新兰这么多年才同框撒一次狗粮，我比我兰先老了
TV版动画6-10集的合辑篇，主要是讲炭治郎偶遇终极大反派，而后遇到鬼医生和她的迷弟，被请回家，双方针对如何变回人进行了探讨，并达成合作，再遇到两个被大反派安排来的鬼袭击，最后在几人通力合作下，解决了两个鬼，基本上没有在TV版上加什么内容，看过原本的话，可以不再看这个特别版。
看完知道为什么这么高分了，不过推理部分也确实可以，希望剧场版以后也增加推理并给大家发糖。
世良的戏份也太多了吧，我现在无比希望把她的戏匀给黑鸡。弹幕让黑鸡干脆来长城告白笑死。
新兰从1996年1月第一次荧幕同框，直到2019年1月才第一次kiss，这是一个迟到了23年的世纪之吻。
hhh为了看最新剧场版补到的，挺甜，推理就算了（一如既往）
评分这么高感觉都是因为感情戏。要命，现在完全看不下去了，只是怀念青春。
这部好看很多！而且亲了耶、案子伏笔埋的也不错嘿嘿
推理部分一年一年的压缩，主线方面 世良 他妈妈有了一点眉目。柯南系列希望能有个完结吧。可能好的作品真得很难收尾，巨人……唉
大自然中一切讲究生物的平衡，而《鬼灭之刃》正是采用了这一法则。在剧情中除了九柱逐个阵亡之外，作者还将画笔转向了主角炭治郎，使其变为了即鬼舞辻无惨之后新任的鬼王，在人类牺牲巨大代价之后将大家心心向往的主角进行转变，正是一个平衡的创作，很多粉丝都觉得，即使作为主角的炭治郎在最终一战中阵亡，换取鬼王的消灭，则更是将这部作品进行一个升华成为佳作，但反转的突如其来也是让人们意想不到的事情。除此之外，在鬼舞辻无惨成为世间第一鬼之后，已经处于无人能与匹敌的状态，打破了这个平衡的天秤，所以才会有着战国时期的天之骄子继国缘一的出现。
就是说普通观众能猜到你们致敬谁吗这个谜语没有意义啊（藏狐打人.gif
15岁纽约，两情相悦。
想起那个冬天的滚筒洗衣机 啊咧咧19年初的截图还在手机里
默默心疼灰原哀这个工具人，剧情不错，你以为的惊喜不说清楚就会是误会啊
要是没有那件事 估计都不会放这个出来平息新兰的怒火（虽然我是柯哀 但我磕新兰）但是制作组的确恶心
甚至平和，斗子(客串)都出场了，世纪之吻谁不说园子永远的神！！
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